What value lies in trademarking a cocktail? It depends who you ask.
Tropical Isle, a chain of bars in New Orleans, is the only place you can get a Hand GrenadeÂź. Thereâs pride in the ubiquitous nature of the drink in the city. âEvery single Hand Grenade you see littering the streets of New Orleans is from one company,â proclaims Tropical Isleâs website.
The pristine sanctity of a Hand Grenade, which Tropical Isle describes as a âmelon flavor drinkâ with âlots of liqueursâ and âother secret ingredientsâ is dubious at best. But when it comes to other trademarked cocktails like the Dark ânâ Stormy, Sazerac or Painkiller, integrity is often cited as the need for the drinkâs legal designation.

Thanks to the trademarks, these cocktails must be made with certain, brand-name ingredients. Goslingâs Black Seal Bermuda Black Rum must be added to a Dark ânâ Stormy. Sazerac Rye Whiskey is required for a Sazerac. Pusserâs Rum is mandatory for the Painkiller. Otherwise, they are merely cocktails inspired by the originals.
To the average person, this probably doesnât matter very much. The trademark holds more weight to businesses, which may be penalized for having made a Sazerac with any other rye.
A trademark owner can issue a cease and desist letter to any establishment that doesnât abide by the drinkâs specifications.
Malcolm Gosling Jr., of Goslingâs Rum, says itâs rare that the brand resorts to a cease and desist, but the company will protect its rights.
âIn order for a trademark to be effective, it must be maintained,â says Gosling. âIf the cocktail is misrepresented on a menu, we have found it is often an awareness issue. We will work with an account to fix the incorrect listing.â
âThe trademark not only protects the integrity of the cocktail, it protects the consumer by ensuring they are actually getting a Dark ânâ Stormy.â âMalcolm Gosling Jr., Gosling’s Rum
But itâs virtually impossible to know how many people might be infringing upon your trademark, says attorney David Postolski. He specializes in intellectual property and patent law, and heâs worked on a slew of food and drink patents.
In spite of this, the few brands that have stayed devoted to their trademarked cocktails believe itâs crucial for maintaining the integrity of the drink.
âThe trademark not only protects the integrity of the cocktail, it protects the consumer by ensuring they are actually getting a Dark ânâ Stormy,â says Gosling.
For a brand owner, thereâs confidence in having a strong, recognizable product, though Postolski warns that it can lessen with time.
âThe more your [trade]mark becomes generic, the more it loses power, becomes diluted,â says Postolski.

This could explain why Jillian Vose, bar manager and beverage director at New York Cityâs The Dead Rabbit, canât rattle off the short list of trademarked cocktails. None are on The Dead Rabbitâs bar menu, though Vose is familiar with their basic formulations. Sheâll often use a classic cocktailâs template to create a more modern interpretation.
The barâs take on the Dark ânâ Stormy, for example, is crafted from ginger syrup, fresh lime juice, Goslingâs and soda water.
And if she doesnât have Goslingâs? âI would use another blackstrap rum,â says Vose. She doesnât believe the average person would detect the difference.
Vose means no disrespect to these classic trademarked cocktails. She respects them and the general way theyâre supposed to be made, she says. All she really cares about is how the drink tastes.
Thatâs what the liquor companies that hold the trademarks claim, too.
âYou can make [a Painkiller] with Bacardi silver,â says Gary L. Rogalski, president/CEO of Pusserâs Rum, but âitâs not going to taste like the Painkiller as we know it.â
Likewise, Gosling says, âyou can make a Dark ânâ Stormy with another rum, but it will completely change the drink. Not to say it changes for the worse. The main thing is, it does change.â
Daniel Djang, founder of cocktail and spirits blog Thirsty in LA, says he will gladly enjoy a Sazerac made with the city’s âofficialâ specs with Sazerac Rye, Herbsaint and Peychaud’s when heâs in New Orleans at a landmark bar such as The Sazerac Bar or The Carousel Bar.
And yet, âwith today’s wide range of ryes, anise liqueurs and aromatic bitters, why should bartenders be limited to what one brand calls for?â says Djang. âMyself, I like bottled-in-bond workhorses like Old Overholt and Rittenhouse.â
âPeople donât realize the responsibility of having a trademarked drink.â âGary L. Rogalski, Pusserâs Rum
Djang says heâs had countless Sazeracs, but he seriously doubts they were always made with Sazerac Rye.
âWill Sazerac swoop down on every bar that doesn’t use their product in the Sazerac?â says Djang. âHasn’t happened as far as I know.â
Sazerac did not respond to a request for comment.
Pusserâs, on the other hand, swooped down on a New York City bar named Painkiller in 2001. After Pusserâs discovered the barâs namesake drink was not being made with Pusserâs, the bar was forced to change its name. This garnered ill will in the bar community, according to Djang. A slew of publications covered the suit.
âWas it worth it?â asks Djang. âYouâll have to ask Pusserâs.â

Rogalski defended Pusserâs position. He cited the integrity of the drink: four parts pineapple, one part cream of coconut, one part orange juice and however much rum you like.
âPeople donât realize the responsibility of having a trademarked drink,â he says.
Perhaps the responsibility hints at why there arenât more trademarked drinks. Creativity around cocktails may be another.
âCocktails with spirits-only ingredients like a martini or Manhattan should be stirred, and you shake drinks with citrus like the daiquiri or margarita,â says Djang. âBut there are countless options for the base spirit and other ingredients, as well as their ratios.â
Different versions of a daiquiri, margarita or even a Negroni can be fun and a little personal, too.
Thereâs âmarketing geniusâ behind trademarked cocktails, says Vose, who maintains she just wants to make the best-tasting drinks she can. Sheâd prefer to put a saline tincture in the margaritas she serves, but says sheâll do a traditional salt rim if a customer wants it.
âThe pretentious bartender is a thing of the past,â says Vose.